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In the meantime, Murugan keeps searching for his long-lost brother. Nowhere does Vishal’s character use his brains - only considerable brawn, and that makes for a very tedious second half. From then on, its supposed to be an “intelligent” cat-and-mouse game while Vishal apes every hero in Tamil filmdom - Vijay, Ajith, Surya, Simbu, Dhanush, Jayam Ravi - you name it, he plays it. In due course, Guru has a run-in with Murugan, where the latter discovers a shocking truth. There’s Paravai Muniyamma as well, providing some crude entertainment. M S Baskar, Mayilsamy and Geetha occupy blink-and-you-miss roles, while Shriya has nothing to do but look pretty and made-up in every scene. But then he remembers that he’s a hero, and the director feeds him a lot of gobble-de-gook dialogues about villains turning into good guys which he mouths often, like a 60s movie. The first half at least has some semblance of entertainment as Murugan arrives in the city and straightaway, as per gangster-flick thpranai, witnesses a gruesome murder conducted by Guru Kishore and his men.
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In due course she worries herself to death with some problem - in this case, the loss of her first son Ganesan, who ran away from home.įOUR WEDDINGS AND A FUNERAL WATCH ONLINE VODLOCKER Santhanam is at his crudest though you have to admit it’s not as bad as Silambattam. Regardless of all this, Murugan stays with friend Vellaichamy Santhanam, who cracks lewd jokes and obviously considers himself Gounda Mani’s modern replacement, and promptly falls in love with Indu Shriya, who wears bikini tops during the dream scenes, and dresses slightly only better otherwise, and plays various pranks on her, including one which involves playing Lord Rama.
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Aiming for an intelligent action-flick is good but when you have cheesy dialogues, cringe-worthy platitudes, songs shot in Ladakh which make no sense, and a climax that is downright pathetic, nothing works. Poor Prakashraj and Kishore - both excellent actors who have proven their mettle with superb movies - are forced to play rowdies to complement Vishal, whose acting talent is nowhere near theirs. Naturally, dutiful Murugan, after the mandatory fights and introductory songs pledges to wipe away his mother’s tears and bring his brother who is god knows where.
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S ome heroes need only one movie to understand where they’re going wrong others take dozens of flicks - and still fail to realise why they deliver flop after flop.
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In due course she worries herself to death with some problem - in this case, the loss of her first son Ganesan, who ran away from home. There’s even a guitar song a la Vaaranam Aayiram - except that it’s dull, barring Shriya’s glorious looks.